learning_from_doing:english_learning:bbc_world_news_english
差異處
這裏顯示兩個版本的差異處。
| 兩邊的前次修訂版前次修改 下次修改 | 前次修改 | ||
| learning_from_doing:english_learning:bbc_world_news_english [2012/05/22 01:20] – lucien | learning_from_doing:english_learning:bbc_world_news_english [2026/03/06 16:38] (目前版本) – 外部編輯 127.0.0.1 | ||
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| - | =====Volume 3===== | + | ======Volume 3====== |
| - | ====Unit 1 Tate Britain Art Gallery==== | + | |
| + | *Unit 01 Tate Britain Art Gallery | ||
| + | *Unit 02 Art Exhibition by Former Beatle | ||
| + | *Unit 03 Edinburgh Festival | ||
| + | *Unit 04 The Greatest Britons Ever | ||
| + | *Unit 05 Preparations for Wimbledon | ||
| + | *Unit 06 Regulating British TV | ||
| + | *Unit 07 Royal Skiing Trip | ||
| + | *Unit 08 School Exam Overload | ||
| + | *Unit 09 Oxford University Grant Scheme | ||
| + | *Unit 10 Church Weddings for Divorcees | ||
| + | *Unit 11 Donkey Taxis | ||
| + | *Unit 12 Parenting Classes | ||
| + | *Unit 13 Queen Elizabeth Ⅱ on her Jubilee Tour | ||
| + | *Unit 14 Auction of Czech Town | ||
| + | *Unit 15 Discount Designer Bargains | ||
| + | *Unit 16 British Airways Job Losses | ||
| + | *Unit 17 Drop in Mobile Phones Sales | ||
| + | *Unit 18 New Laws for UK Customs | ||
| + | *Unit 19 New Plans for UK Postal Service | ||
| + | *Unit 20 Screening for Bowel Cancer | ||
| + | *Unit 21 The Benefits of Gardening | ||
| + | *Unit 22 GM Crops | ||
| + | *Unit 23 Vitamins Against Crime | ||
| + | *Unit 24 Storms Batter Britain | ||
| + | *Unit 25 UK Energy Sources | ||
| + | *Unit 26 Breast Cancer Treatment Delays | ||
| + | *Unit 27 Riots in Argentina | ||
| + | *Unit 28 British PM in Africa | ||
| + | *Unit 29 Asylum Seekers in Channel Tunnel | ||
| + | *Unit 30 ID Cards | ||
| + | *Unit 31 Electronic Tagging | ||
| + | *Unit 32 HIV and AIDS in Ukraine | ||
| + | *Unit 33 Plane-spotters in Greece | ||
| + | =====Unit 1 Tate Britain Art Gallery===== | ||
| ===T1=== | ===T1=== | ||
| ROSIE MILLARD: Once again the Tate provides an irresistible social draw. The new galleries mean Tate Britain now presents the world' | ROSIE MILLARD: Once again the Tate provides an irresistible social draw. The new galleries mean Tate Britain now presents the world' | ||
| - | TRACEY EMIN: | + | TRACEY EMIN:I think they should have an opium den and a smoking room. Firstly, as it's so Victorian and so beautiful let's like think about the ideas that the Victorians wanted and let's have a room that we can relax in... couches, red sofas, big plush velvet curtains, somwhere where we can smoke our cigarettes... would be really fantastic. |
| ===T2=== | ===T2=== | ||
| + | ROSIE MILLARD: 800 people have been invited here tonight. All week many, many more have been begging Tate British for an invitation to what's definitely the cultural party of the season. | ||
| + | |||
| + | MAN 1: Tate Modern was a huge success for all sorts of very particular reasons, it's a great buildings, an astonishing achievement. But, it's the building and the actual existence of it er, you know, which is impressive the... that's not, th... that's not to deride it in any sense but Tate Britain is actually rather different. The extraordinary new extension on the east side of the gallery which we're in now I mean, what it is actually letting the art, you know, speak, you know, for itself. | ||
| ===T3=== | ===T3=== | ||
| + | ROSIE MILLARD: Officially opening the development, | ||
| + | |||
| + | PRINCE CHARLES: Art after all, is hardly elitist. In the last 30 years art has jumped off its pedestal and broken out of the gilt frame to launch itself into all aspects of life and disclourse. | ||
| + | |||
| + | ROSIE MILLARD: So will Tate Britain take off? It's suffered with the opening of Tate Modern, there was a distinct falling off of visitors, but Tate Britain is making no bones about placing the emphasis of its new extension on the art, as the director of Tate explained. | ||
| + | |||
| + | STEPHEN DEUCHAR: That there was an opportunity within an existing courtyard to choose between creating some great galleries or making simply an architectural experience. And we dicided that we needed galleries for the ... that great collection of British art which, so much of which, has remained in store for many, many years. | ||
| ===T4=== | ===T4=== | ||
| + | ROSIE MILLARD: Meanwhile at the launch everyone was considering our two new Tate galleries. | ||
| + | |||
| + | MAN 2: I quite like the fact this is a little more sober and that they, the redesign isn't flash, it's very sympathetic with what the building was before. And so it's a little bit more relaxed, it's not going for the er, if you like the sort of um, stunning effect, modern effects of the , of the Tate Modern and I think it suits the collection better. | ||
| + | |||
| + | ROSIE MILLARD: The re-launched Tate Britain offers quite a revealing experience after all those flashy new art galleries where the architecture is sometimes more important than the art inside. This is a subtle, accessible building wholly focused on the purpose of telling the story of British Art through great paintings and sculpture. Rosie Millard, BBC News, Tate Britain. | ||
| + | |||
| + | -Rosie Millard, 31 October 2001. | ||
| + | =====Unit 13 Queen Elizabeth Ⅱ on her Jubilee Tour===== | ||
| + | ===T1=== | ||
| + | ANNA FORD: Just one day of rest, after the long weekend of Golden Jubilee celebrations, | ||
| + | ===T2=== | ||
| + | JENNIE BOND: The new royal Bentley in a bus garage. It was a dramatic contrast to the pomp and pageantry of the Jubilee weekend. This, though, was the Queen' | ||
| + | |||
| + | EUGENE COLLYMORE: Well, I think that will be a, is a good thing, you know, for *she(her) to come and see how, you know, the bus people work, how the transport service and everything, you know. How we transport the people from, you know, from A to B. | ||
| + | ===T3=== | ||
| + | JENNIE BOND: And even on a wet Thursday morning after all the festivities around the Palace, hundreds of people wanted to see her. This afternoon will provide another first, when the Queen goes to this Hindu temple in north London. The Tamil community who use it recognise the significance of her visit. | ||
| + | |||
| + | DR NARAYAN RAO: It's very significant in the annals of our history, of this temple, that we have her majesty step into... it is like next to God. We think the royalty is very important to us. | ||
| + | |||
| + | JENNIE BOND: And, in the coming weeks, the Queen will meet representatives from all the major faiths in the UK, underlining the Jubilee theme of inclusiveness. | ||
| + | ===T4=== | ||
| + | ANNA FORD: Jennie, I think it's clear that the Queen is making a real effort on this Jubilee tour to visit people and places that she's never ever been to or met before. | ||
| + | |||
| + | JENNIE BOND: Yes, it is becoming a jubilee of firsts, isn't it really, with the concerts in the Palace, the bus garage this morning, and now this magnificent Hindu temple in Archway in north London. Curiously enough it was a synagogue in fact, 15 or so years ago, but is was bought by the Tamil community. And when the Queen comes here, she's going to be shown all around, it is extremely ornate, and taken to see this inner sanctum, which is the idol of Lord Murugan, who is the chief God of the Tamils. Both she and Prince Phillip will then be garlanded with some of the garlands that you see decorating the statues around. And also, in keeping with tradition, both will have to take off their shoes. A special room has been set aside. It's got nice gold and red chairs so they can do that in comfort before this visit, which is part of the Jubilee theme of making sure everyone feels included. | ||
| + | |||
| + | ANNA FORD: Jennie, thank you. | ||
| + | |||
| + | -Jennie Bond, 6 June 2002. | ||
| + | =====Unit 26 Breast Cancer Treatment Delays===== | ||
| + | ===T1=== | ||
| + | DARREN JORDON: Doctors are warning that some women with suspected breast cancer are facing unacceptable delays for treatment. The Government wants women to wait no longer than two weeks to see a consultant, but researchers at a London hospital say it can be as long as three months, and warned that lives could be at risk. | ||
| + | ===T2=== | ||
| + | SOPHIE HUTCHINSON: 45-year-old Maggie Kay is almost fully recovered, after undergoing surgery to remove breast cancer. An urgent case, she was referred by her GP to a specialist, and seen within two weeks. | ||
| + | |||
| + | MAGGIE KAY: Your life suddenly is turned upside-down, | ||
| + | ===T3=== | ||
| + | SOPHIE HUTCHINSON: A report using data from King's College Hospital in London, is warning half of all women with breast cancer are facing delays of up to 12 weeks. It says that's because of a Government grading system, which fast-tracks urgent cases. The report' | ||
| + | |||
| + | DOCTOR: The quicker we can get there, the more options we have as, as surgeons, and radiotherapists, | ||
| + | ===T4=== | ||
| + | SOPHIE HUTCHINSON: Hospital staff say simple organisational changes can really mean the difference between a two week and a 12 week wait. For example, this fax machine is constantly monitored. When a GP sends through a request for an appointment, | ||
| + | |||
| + | -Sophie Hutchinson, 24 May 2002. | ||
| + | =====Unit 31 Electronic Tagging===== | ||
| + | ===T1=== | ||
| + | MICHEAL BUERK: Children as young as twelve could be electronically tagged even before they' | ||
| + | ===T2=== | ||
| + | |||
| + | MARGARET GILMORE: As a skills centre in Birmingham, teenagers convicted of crimes are tagged. Under the new scheme, young people could be tagged before they are convicted if they' | ||
| + | |||
| + | BOY: I was enjoying it so much. It gave me a buzz doing all kinds of things. Robbing people, doing all kinds of things. | ||
| + | |||
| + | MARGARET GILMORE: Did the tagging then make any difference rather than locking you up? | ||
| + | |||
| + | BOY: Yeah. It did good, man. It did good. | ||
| + | ===T3=== | ||
| + | MARGARET GILMORE: The government' | ||
| + | ===T4=== | ||
| + | DAVID BLUNKETT: I am very clear indeed that the new technology needs to be backed up by intensive supervision. Once people know that the fun is gone out of this, that they can't leave their home, or they can't leave the secure accommodation, | ||
| + | |||
| + | FRANCES CROOK: These are children first and they should be treated as children. They haven' | ||
| + | ===T5=== | ||
| + | MARGARET GILMORE: Today' | ||
| + | |||
| + | -Margaret Gilmore, 26 February 2002. | ||
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